News

May 4, 2016
 

Death Wish Remake Loses its Directors!

Only a matter of weeks ago new directors were announced for the upcoming remake of Death Wish with Bruce Willis set to take over from Charles Bronson as Paul Kersey AKA The Vigilante.

According to Deadline it looks like directors Aharon Keshales and Navot Papushado are walking away from the project.

To be honest I was kind of hoping Bruce Willis would walk away from the project so we could have someone who looks less bored. Someone suggested Richard Gere a few weeks back and I like that idea; someone who isn’t known as a tough guy in movies.

 

Hell, I’d love to see Tom Hanks tackle something like this as it is totally against the kind of role we’re used to seeing from him.

It’s interesting that this project keeps losing its directors so it sounds like the studio has a certain idea of what they want but the talent has other ideas.

Here is the director’s statement courtesy of Deadline: Relief. Finally a bit of breathing room. You probably remember that a few months ago we were bombarded with greetings and congratulations on receiving our first Hollywood job, Death Wish. You might also remember that Navot and I insisted not to comment on the story or on any of your excited posts about it… not even with a “like”.
It’s not like we became snobs overnight. And it’s not like anybody prevented us from speaking out, it’s just that we found ourselves in a terrible situation. On the one hand, we were indeed offered a dream job, we were indeed offered a legendary salary, and we did indeed pass a stressful and amazing audition with the presidents of MGM and Paramount, and we even met and got the approval of one of the toughest most intimidating stars in Hollywood… yes, yes, Bruce Willis himself saw Big Bad Wolves and thought we were the right people for this violent mission.

On the other hand, the news caught us by surprise, because in reality there were huge differences between our vision and the vision of the studio with the famous roaring lion… we wanted to stay away from the original and problematic (albeit fun to watch) Michael Winner film, and move more towards the spirit of the original novel by Brian Garfield – an excellent minimalist novel that never got the cinematic treatment it deserved. We wanted to follow the vision of the director who originally was set to make it, but ultimately was not allowed to – Sidney Lumet. Lumet wanted to direct a film about a simple man, he even thought of Jack Lemmon for the lead, which experiences a terrible tragedy and then falls to the depths of hell. When we imagined the thriller in our minds we thought Taxi Driver, Falling Down… with a bloodcurdling finale like Sicario.

Unfortunately, the time table for the project did not allow us to make the big changes we wanted to make to the script, and as time passed we realized that we were not going to get what we wanted for this project.

Last night, after long deliberations we finally decided to leave the project.

It was not easy.

To know that you’re giving up money, fame, the opportunity to work with a big star… that you’re kicking the door in Hollywood’s face… knowing that you’re disappointing everybody who supported and encouraged you and wanted you to fulfill your dreams – All this can really mess with your head and make you doubt yourself. And so it did. But anybody who knows us even for a minute, knows that we’ve never compromised on our vision.

These were three grueling months, three months during which time I walked around wearing sunglasses because I was afraid to answer uncomfortable questions.

Today I can finally take them off and say thank you for your support, your embrace and all the love.

So what now?

A little peace and quiet, a lot of patience and above all, love.

 

Source: Deadline



About the Author

Eoin Friel
Eoin Friel

I grew up watching JCVD, Sly and Arnold destroy bad guys, blow things up and spew one-liners like it’s a fashion statement. Action is everything I go to the movies for and the reason I came up with this site is to share my love for the genre with everyone.





 
 

 

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